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Chisom Oz-lee’s birthday: celebrating an Icon, by Emma Ike Agu

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Today is the birthday of one of my best friends and my sister from another mother.

Many years ago, a remarkable lady came to my studio ( then located in Castle Hill, Bronx, New York) to book my organization to help her build a website. Her name is Chisom Ooz-lee, the President and Chief Executive of Best Icon Production. After completing all the necessary paperwork, she left with the promise to come back to approve the final work.

Chisom Ozlee is GIAMMA AWARDS

Best Icon production I later was told is a movie production company. The first time I saw her , I recalled she had a stethoscope around her neck. I later found out she is a nursing practitioner.

I wondered how a nursing practitioner would run a movie company. Then, one day she came to my studio again with some external hard drives containing images, movie trailers and synopsis of her movies. While watching some of the trailers, I saw her play a lead role in her first film,’ In the arms of a stranger,’ written by Chisom Oz-lee. But, hell no, when I was later informed she is the head supervising nurse in two major Hospitals in Manhattan, New York City, I asked where she finds the time to be a nurse practitioner and also such an outstanding actress, scriptwriter, producer, and director.

As my organization worked closely with her to finish her website, I learned more about her. She had her master’s degree in English Language and was a school teacher in Nigeria before relocating to the United States. Another movie of hers that I embedded in her site, ‘The Lost maiden,’ featured all-time greats like Ini Edo and Omotola Jalade Ekeinde. ‘Timeless Passion, which featured Ramsey Nouah, Desmond Elliot, Uche Jumbo, Chisom Ooz-Lee, was jointly produced by Emem Isong and Chisom Oz-lee.Her blockbuster movie called ‘Unguarded.’ In this movie, Ramsey Nouah, one of Africa’s finest, and Uche Jumbo earned my respect for masterfully interpreting their roles.

Lost Maiden, featuring Ini Edo and Omotola

So, after seeing all the works this young lady put together single-handily, I had no choice but to use my media power to get all and sundry to know her. That was how thousands of folks out there thought I was her publicist and promoter. It was also part of why I began writing to bring to the notice of Nigerians both home and abroad the activities of great Nigerians who are making us proud. That was how I started a weekly broadcast called-Agu Loud in USA. The vacuum created by lack of writers to bring out front the good works our talents are doing in the United States got me primarily into publishing and running an Entertainment outfit-Iktune NY.

I am not a trained entertainment writer; writing is time-consuming. Since nobody was willing to assist, I found myself spending countless hours documenting the activities of many African talents that live and do business in the United States. I was even nominated for an award as a journalist, which I politely declined. 

 It was odd because promoting and writing about Nigerian Entertainers living in the United States made many folks who never knew me in the past think I was a journalist. Sooner than I anticipated, it became clear that many folks began identifying me as Chisom’s manager and promoter. Thousands of people forgot what I do daily to earn a living. Some spineless jerks also started spreading the rumor she was my girlfriend.

Timeless Passion

I will not forget how I went to Houston, Texas, to receive multiple awards as the best African Music Producer of the Year/ best Web Site designer/and the Media Personality of the year. Unfortunately, Chisom, whose movie also got nominated for awards, was in Nigeria and unable to fly directly to Houston. I had flown to Houston, Texas, with one upcoming artiste, called Chisom Orji, and to my greatest surprise, the organizer called her ‘Chisom Oz-lee, Emma Agu’s beautiful wife’! I was so embarrassed. I had to talk to one of the officials to have the Mc to correct what he said.

I also recalled what happened at the African Music Festival in Edmonton, Canada. I was the main act for the festival and Chisom also had the opportunity to premiere one of her movies during the festival. In addition, we both received awards during the festival.

 I left for Canada without Chisom Oz-lee. On the day she arrived, I was in a rehearsal when the organizers announced that ‘my girlfriend’ had just touched down at the airport and that the Limo had just picked her up. Then, the main organizer told me she would be staying in my Presidential suite. So I politely told her to book another suite for her. She apologized for thinking Chisom and my humble self was in a relationship.

My relationship with Chisom in the last 15 years demonstrates that true friendship devoid of bad feelings, unnecessary fantasies, and emotional attachment, outlast relationships built on lust and what each party gets from the other. Chisom Ooz- lee is like a sister to me. I have the highest respect for her because she has never looked at me lustfully. I equally adore her like my own sister, and she could attest any day that I have never treated her differently. I won’t say it’s all roses between us; we do quarrel a lot, and in most cases, she would say, ‘Emma let me remind you, am not your wife”.

So when she relocated to a high-brow area in Dallas, I had no clue she went back to school again to get her Ph.D. in nursing. For Chisom, I don’t know when she will stop aiming to touch the sky.

She is beautiful, highly educated, and above all, rich by every standard. She is Nollywood movies powerhouse in the United States. So, friends, help me raise your glasses in the air and toast to Chisom’s birthday on this 13th of October 2021, for she is such a good fellow.

Chisom Orji, Ada, Chisom Oz-Lee, Emma Agu, Edmonton, Canada
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AKU ( Wealth): AGUIKE, alias Allah-Bama’s new hit song.

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AGUIKE , alias allah-bama

**Artiste: AGUIKE, alias Allah-Bama,
Genre: Afrobeats, Highlife, Rap, World, Neo-Afrosoul

Reviewed by Franz Dickson.

Aku (wealth) is an anthemic, massive, banging track delivered contemporaneously and stylishly. It’s Afrobeats, hip-high life, and dance. It is your party song, without a doubt. It’s another praise for Allah-Bama’s versatility in songwriting styles.
With a steady beat and prosperous, whole, harmonious, and zesty choruses, pidgin rap leads with a spattering of genre-respected highlife vocal feels and adlibs here and there. It’s all done with great expertise.
And those crisp, fun, pidgin rap verses had AGUIKE deliver his message and call to “stay humble even when you’re on top” in a contemporary, avant-garde style.
His highly loveable pidgin rap style is well-measured, rhythmic, timed, executed on the bar and beat with great flair and precision.
A brilliant use of drum rolls and ear-friendly contemporary piano tones set this track up for great likability.
This is another cautionary song so brilliantly executed you won’t be able to help sing along with the highly singable choruses. The sweet choruses knock you off your feet.
“Eeeweh Onye akunaba ru raka Yaga ririwe o…”
“Ririwe… Ririwe o…” ( if heavens smile at you, enjoy it)
“When you’re at the top, Stay humble. Be mindful.” That’s the translation.
Neatly executed guitar riffs run alongside the track’s throbbing rhythm. Depending on the leads, AGUIKE switches adroitly between his trademark sweet falsetto and teasing vocal scats and adlibs to come through on this song.
His use of genre-respected highlife feels and adlibs are noticeably heartwarming. He takes you nostalgically into that zone. With some of those classic late Osita Osadebe’s feels on a contemporary groove, complete with a chorus you can’t resist. That gives you an idea of what I am talking about.
The bassline tones and play attitudes are all on point.
What you will need help to avoid about this party banger is the power of the musical, zesty, full choruses to pull you in. You will sing along after a couple of replays. That’s a promise.
AGUIKE again displayed amazing songwriting skills. From the sweet melodic structure of the choruses to his fun-styled pidgin rap verses, it’s all expert work. It is a thundering five-star track, trust me. 🌟 🌟 🌟 🌟 🌟
Franz Dickson is a music critic and is the author of The Contestant
franzdickson@gmail.com

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Maziyke releases another single-WHATEVER

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emma -agu

Words/Music/Produced by -Maziyke-also known as allaBama

Genre: Dance, Afrobeats, Pop, Soul, Easy Listening.

Reviewer: Franz Dickson 2022-Musician and author

Artiste: Maziyke

After listening to “Whatever,” you come off with the feeling that here finally is an artiste and track worth their salt.
Maziyke’s return with this massive international track is a highly welcome development in these days of declining musicianship and artistry. The days of great, good music are back!

This smash hit is a brilliant assemblage of multiple genres: Afro-sounds, jazz, pop, rock, rhythm, blues, soul, Afro-soul, etc., into a truly seminal recording that is at once compelling, soulful, and evocatively nostalgic. If great music is your thing, then this is your track.
Being the veteran that he is, I couldn’t have expected lesser musicianship from the maestro, Maziyke; he proved pointedly that the long wait by his fans worldwide was worth it. He rewarded them with this ingeniously crafted masterpiece of a track, Whatever.
The song opens beautifully with a richly blended doo-wop-style chorus that sweeps you up in a soothing musical high.
Scoring truly professional harmonies has been a recurrent weakness of many of today’s tracks. But Maziyke would have none of that! The choruses here are beautifully blended, soothing, soulful, bright, crisp, and silky. He ensured that the department was well taken care of.

And his lead vocals are a master class in vocal delivery. Bristling with soul, style, and experience, he effortlessly breathed them on the mic with the flair and expertise of a vocal guru. His velvety rich voice was in its A-game. Every line is a masterstroke!
And a thing about veterans is their uncanny ability to craft songs on the appropriate sonic key that maximizes their leadership voice and the other instruments and voices on the track. It’s a function of great songwriting, and Maziyke-(born Emma Ike Agu) had that crucial question sorted out in the writing of this scintillating track.
The song’s mid-tempo rhythm makes it a soothing, delightful listening piece.

That’s a bold love declaration!
And appropriately titled, “Whatever” is a bold love declaration. Lovers worldwide and those pledging their love in marital vows just received a big boost and a new love anthem in this classic track. This is your next big international song on the key of love. Trust me!
And the soulful, anthemic baseline of this track rumbles sonically and definitively underneath throughout this masterpiece as if putting a stamp on it and augmenting its mellow mood.

Spicy, classic, jazz-influenced, Spanish-styled guitar riffs and disciplined strummed arpeggios help tell the song’s story at professionally interspersed intervals.
The soothing world-class mix and professional mastering are the icings on the cake. The total effect on you is that you want to press replay after each listen.

Carefully measured arrangements of chorus-verse alternation hold your attention and interest in the song for the 3 minutes or thereabouts from its intro to its coda.
And here’s the caveat about this massive track! The chorus is very singable and highly addictive!

This is a viral song. All the marks are in place and on point. A certified hit amongst Afrobeat, pop, RnB, soul, urban, and adult contemporary audiences.
I gladly give this five full stars.

Franz Dickson

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The Peace Jingle By Maziyke

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Maziyke

This song is about world peace; it is Maziyke’s little contribution to peace around the universe.
“The Peace -Jingle-” is part of 1 People, a track off the much-anticipated album of international singer-songwriter and media entrepreneur Ike Agu- “MAZIYKE.” Titled “Peace & Harmony,” this massive track is your quintessential peace song to all the world’s people. And this call for peace and harmony is most auspicious, coming at a time like this when humanity is faced with the outlook of a possible world war spiraling out of the devastating war in Ukraine. From the singer’s own terror-stalked homeland of Nigeria to Ukraine, from the violence-plagued Tigray region of Ethiopia to the troubled spots of the Middle East and Myanmar, the most sought-after needs now are peace and harmony.
And the profoundly meaningful lyrics of this massive peace anthem capture exactly what the world needs now– a reminder to give peace a chance.

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Maziyke to release GoodTime-Song Review

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Ike-Agu-Maziyke

Song Title:   Good Time

Words/Music/Produced by Ike Agu-Maziyke-also known as allaBama

Genre: Dance, Afrobeats, Pop, Soul, Easy Listening.

Reviewer: Franz Dickson 2022

Scheduled for release on the 29th of September to mark the International award-winning singer, songwriter, and producer’s birthday, GoodTime is unapologetically a pulsating, pumping beat!

Like the name suggests, “Good Time” is your ultimate party song! Crafted with one thing in mind: to give you a good time. If dance is your thing, or a great party song is your definition of a great track, then you’re in good company! “Good Time” has a bouncy, smart, infectious beat, rhythm, and groove! This song rocks as voices sing:

“Hello, hello, hey

We gonna have a good time

Good time tonight…”

A steady, innovative beat! Tight rhythm! Thumping bassline! Afro-influenced, highlife-reminiscent guitars, all executed with world-class musicianship!

The easy-going, impeccably delivered verse and choruses speak to letting down your hair and partying, especially after the day’s hassles, work, or whatever it may have been. The tone of invitation to loosen up and have a good time is unmissable in the voices.

The lead voice, while making it sound easy, actually delivers a masterpiece of a light-hearted vocal technique rendition that suits a big, artful party song like Good Time. Extraordinary creativity, indeed! I have heard it said; that the ability to express a big idea in simple terms is a mark of great talent. That’s what this song is. And Maziyke nailed it. 

As usual, he was perfectly at home and sensitively communicative of the happy-go-lucky mood and attitude required of this brilliant song. His resonant, rich voice was on duty executing this beautiful party piece.

The intelligent, brisk, relaxed tempo at once makes this track an easy listening pick as well, while it’s already a dance song! And those well-delivered choruses have one thing in mind–an invitation to forget about the worries and have a good time here and now. But, again, this is essentially a dance song.

And the background guitars played by the singer are beautifully and nicely Afrocentric. Highlife comes readily to mind in the play style.

By the time the groove peaks and climaxes at the point where the voices switch into singing “Egwu-oma” which in the Igbo language means “good music,” this big song shifts gear and becomes a raging, sweet groove that’s totally off the hinges! Yes! This is good music!

With its groovy bass line, the drum-driven quality of this track is sure to get it into numerous dance music playlists and easy-listening radio belts. It has all the marks of a viral social media song.

Woven across dance, soul, pop, and the afrobeats genres, Good Time is assuredly the party man’s ultimate song and anthem, even though a broad spectrum of lovers of great music will gravitate easily towards this ingeniously crafted song.

DJs from Africa to the Caribbean and worldwide just received another considerable dance floor mover in this beautiful track.

Franz Dickson

franzdickson@gmail.com

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